Hudhud Studios
We take characters people already love and build the world around them: a premium animated feature, a global cinema release, a franchise that lasts.
B.Duck has a shelf. Pucca has a generation. Doge has a global community. The audience is already there. Our job is to give them a story worth the trip to the cinema, and a world that continues after the credits.
We do that with Korean craft, a lean production model, and a technology pipeline that keeps the budget on the screen. The film is the beginning. The franchise is the point.
The film is the beginning. The franchise is the point.
02 / The slate
Each film begins with a character who already has an audience. Our job is to give that audience a bigger story, and a bigger screen to see it on.
The world's most loved duck. The big screen's next star.
B.Duck is a global character brand with a retail footprint most studios would recognize. The film takes him out of the merchandise aisle and into a story built for cinemas.
US$700M+ retail sales in 2025619 licensing partners50,000+ licensed products
Enter the worldA dog. A taxi. A planet that was never the point.
A Shiba Inu who dreams of Mars and a memory-less AI truck start the strangest taxi in the world. It is a friendship comedy with a very long road: all the way to the red planet.
80 minutesFrom the writer of Pink TruckBuilt for ages 6–13
Enter the worldThe world's favourite noodle girl. A new cinematic chapter.
Pucca has been in the lives of a generation for more than twenty years. The film gives her a bigger world, a bigger adventure and a reason for that generation to come back to the cinema.
Created in 2000Seen in 120+ countries2M+ YouTube subscribers
Enter the worldAll three films are in development. Character rights, production partners, directors and release plans are subject to agreement. Runtime, audience and schedule figures are creative targets. Release dates are to be announced. B.Duck and Pucca are trademarks of their respective owners.
03 / The model
A Hudhud film moves through five stages. Each one is designed to protect the thing that matters most: the character the audience already loves.
Owned and partnered characters with a built-in audience.
Writers, directors, animators and production managers who know how to make a film that travels.
A 60–90+ minute animated feature built for the big screen.
A theatrical release in the markets where the character already has a following, then beyond.
Sequels, series, merchandise, licensing, consumer products and live experiences.
The film is the beginning.
Traditional premium animation takes years and a nine-figure budget. Our model is built around a lean specialist team, reusable assets and an AI-assisted pipeline. The target is a 60–90+ minute feature in about eight months, at a production budget in the US$300K–350K range.
Planning targets, not achieved averages. Final budgets and schedules vary by film, cast and pipeline. The target with K-star voice casting is approximately US$500K. Detailed production economics are shared in partner conversations.
A Hudhud film is designed to move from the screen into everyday family life: retail activations, limited-edition products, character campaigns, collectibles and cinema promotions. The film creates the moment; the consumer programme extends it.
We are building the activation plan with retail and consumer partners across Asia. Named partnerships will be announced when agreements are signed.
The theatrical moment.
A campaign built around the character, not the release date.
Products and collectibles made for the audience.
The world of the film enters the aisles.
The audience returns for the next chapter.
The film becomes a library.
Partner names are withheld until agreements are signed. No partnership is implied by this page.
The first film is not the finish line. It is the proof that the model works. The roadmap turns one successful release into a studio that can make the next one, and the one after that.
Build the Korean-powered production system: IP development, creative team, production pipeline.
Launch the first feature. Theatrical release, global cinema, Korean creative talent, audience demand.
Build the IP: merchandise, licensing, characters, consumer partnerships.
Build the global studio: more features, more IP, more markets, multiple productions.
The horizon is a beginning.
Partner with the studioWe are looking for IP holders, co-production partners, distributors and brands who want to build a film that lasts longer than a release date.
